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Wednesday 30 September 2009

Design and Handicrafts

Handicrafts in our country were in a manner reverenced as an important part of our rich cultural heritage. Though handicrafts fulfilled a positive need in the daily requirements of the people, they also served to satisfy the aesthetic hunger in man & provided a vehicle for his urge for aesthetic self – expression. The concept behind handicrafts was imbuing everything used in daily life, no matter how common or mundane, with a touch of beauty to add brightness to an otherwise dull & drab existence. Today handicrafts are becoming just commodities for sale, not the essentials in life. The handicrafts have now got particularly submerged under the rising forces of modern industrialization.

The Surajkund Mela, held every year (Feb1 – Feb 15) is just an attempt an attempt to lift a small corner of the veil of ignorance that is descending on this vast treasure of Indian Handicrafts & Handlooms

HISTORY OF Surajkund CRAFTS Mela

Only 8 KM from South Delhi, Surajkund derives its name from an ancient amphitheatreSun pool built in the 10th century AD by the Tomar Chieftian Raja Suraj Pal, who worshipped the sun God. It was in such a background that Haryana set up a tourist complex at Surajkund. However later a scheme was formulated to have a theme state based crafts mela every year. Beneath thatched roof platforms, master crafts persons display the finest of handlooms and handicrafts from all over the country. The place becomes alive with folk dances and musical evenings & a riot of colours.

Here are a few pictures from the Mela:

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